Mai Zetterling, Actress, Director & Feminist, by Phlippe Halsman

Mai Zetterling, Actress, Director & Feminist, by Phlippe Halsman

500.00

Mai Elisabeth Zetterling (24 May 1925 – 17 March 1994) was a Swedish actress and film director. Zetterling was born in Västerås, Västmanland, Sweden to a working class family. She started her career as an actress at the age of seventeen at Dramaten, the Swedish national theater, appearing in war-era films. Zetterling appeared in film and television productions spanning six decades from the 1940s to the 1990s. Her breakthrough came in the 1944 film Torment written by Ingmar Bergman, in which she played a controversial role as a tormented shop girl. Shortly afterwards she moved to England and gained instant success there with her title role in Basil Dearden's Frieda (1947) playing opposite David Farrar. After a brief return to Sweden in which she worked with Bergman again in his film Music in Darkness (1948), she returned to England and starred in a number of English films, playing against such leading men as Tyrone Power, Dirk Bogarde, Richard Widmark, Laurence Harvey, Peter Sellers, Herbert Lom, Richard Attenborough, Keenan Wynn, Stanley Baker, and Dennis Price.

She began directing in the early 1960s, starting with political documentaries and a short film called The War Game (1962), which was nominated for a BAFTA award, and won a Silver Lion at Venice. Her first feature film Älskande par (1964, "Loving Couples"), based on the novels of Agnes von Krusenstjerna, was banned at the Cannes Film Festival for its sexual explicitness and nudity. Kenneth Tynan of The Observer later called it "one of the most ambitious debuts since Citizen Kane." It was not the only film she made that would stir up controversy for its frank sexuality.

When critics reviewing her debut feature said that "Mai Zetterling directs like a man," she began to explore feminist themes more explicitly in her work. The Girls, which had an all-star Swedish cast including Bibi Andersson and Harriet Andersson, discussed women's liberation (or lack thereof) in a society controlled by men, as the protagonists compare their lives to characters in the play Lysistrata, and find that things have not progressed very much for women since ancient times.

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